Tubes printed magazines only £5 +pp

painters Tubes magazine new issue

issue # 11

painters TUBES …leading magazine in the UK – £5 + p&p note: UK only

£7.00

 

Best Art Magazine in North West England
The leading artists magazine in the UK – Artists reviews, articles, features, exclusive Art
painters TUBES artists gallery
Tubes Artists Gallery – Exhibition #1
painters TUBES artists gallery

Printed Tubes Artists Gallery

Printed copy of the new TUBES artists Gallery- now only £7 including post and packing - UK only

£7.00

The Art Game

painters TUBES favourite art critic and muse, known to all unsundry as Spike, returns to the latest issue with a pragmatic look at the back side of Art – business and selling. What follows is a extract from the full article that you can read free on the latest issue of painters Tubes magazine…

TUBES magazine art critic - SPIKE
talking about the art game

…Showing paintings on line, is now the main stream for the dissemination of an artists work. Even though real life exhibitions are still relevant for many artists, an on line presence is essential (if only for street cred). That “painting is a dead art” conversation has faded away as fast as padded shoulders did in the middle 1980’s. There has been a major change in attitude to painting in the last few years. In part, this may be entirely due to the need for the high street galleries to survive the financial crisis, the one that started in earnest in 2009 and is still having an effect now, not to mention adding to the problem with (thinking here about) Donald Trump and the European Union on the brink of collapse helped along by French Riots, and No Deal Brexit.

Today, more than ever, high street galleries need to sell ‘more-stuff’ and earn extra profit to pay those stupidly high ‘business rates’ in the major Cities – And lets be honest, paintings sell much quicker than sculpture or worse those ‘cool’ avant-garde installations of nonsense that rely on high brow art academics to authenticate the cultural importance of something that most people wouldn’t actually install in their homes (even if they don’t say so publicly). And usually there is a heavy price tag for that sort of contemporary bull-shit art. Consequently the contemporary ‘arty farty’ marketplace is tiny compared to the ‘popular paintings’ art market. Even though there are only so many landscapes that anyone can put in their homes. That market will also run dry soon unless some risk taking by galleries start, pretty damn quick.

The sheer size of the (art) market (because of the www) has outgrown all that ‘arty farty stuff’ by leaps and bounds – certainly as far as turnover is concerned. So the www has become the place to set up your stall. Major funded on-line art galleries and some not so well funded independent artists all have a go at selling direct to art collectors and art lovers. Even Tubes magazine are having a go (although they already know there is no money to be made so why bother trying – the space it is giving to artists is in keeping with the magazine policy – Art before Money at all cost).

Spike talks about the art game..painters Tubes mag
selling art

The one man art galleries start-ups fail quickly- some have a sort of ‘in the third year we will make money fiscal plan’ and obtain a bank loans. Most, in reality, loose much more money than they bargained for and are wrapped up prematurely by their investors (or more commonly the Bank) the ones that backed the idea (with solid security that could be recouped) in the first place.

Today it’s not a case of chasing huge profits for many galleries, on the contrary, it’s survival we are talking about here. Many on-line outfits are simply losing too much money, year in and year out.
“..there is no money in Art..” a very wise man once said to me (back in 1989).
He may have been right but for the wrong reason, as far as I am concerned. Should Art really be treated as a commodity? And be sold as such? – Stack ’em high, sell ’em cheap is not an effective strategy, not for original art, so when times get tough, (in Art) the tough bottle it….. to read the full article please click here

“defining the elemental” exhibition on show until 12th January 2019

Photograph below: Contemporary Artist, Denis Taylor in front of the installation at Crossley Gallery, Dean Clough, Halifax, UK 

Denis Taylor Artist and Writer. painters Tubes magazine
Denis Taylor with his work at Crossley Gallery, Dean Clough. Left: ‘Acid Trip’ (1985) Middle: ‘Life Began in Water’ (2018) Right: Cellular Abstraction (2014)

The exhibition “defining the elemental is an exhibition of painting in the UK. The ten artists participating are showing authentic work that covers contemporary landscape, portraits and new abstract painting. The extensive venue is the Crossley Gallery which is within the extremely large Dean Clough business  and culture complex in Halifax, West Yorkshire  ( for directions and information- please click here) The exhibition is currently on and is running through to 12th January 2019.

Many of the artists as renown throughout the North of England and beyond for their progressive, dynamic, semi-realist and abstract new work, such as, Denis Taylor, Ian Norris (see TUBES issue #1) and Jeanette Barnes along with major project painters such as Shaun Smyth (Mersey Gateway Bridge project-   see TUBES issue #8)   and original impasto styled (inspired by Kossoff/Auerbach) portraiture work  created by Richard Fitton (see TUBES issue #7)

The full Catalogue with examples of all the ten artists work, comments on their work and poetry that accompanies the paintings (written for the exhibition by David Traves) features in the exhibition  is available here: Defining the Elemental catalogue

You can also read a review of the exhibition in issue #10 of painters Tubes magazine  Please click here to go to the magazine

painters Tubes