“Defining the Elemental”

Defining the Elemental”

Dean Clough. Halifax West Yorkshire

27th October through to 12th December 2019

Preview of the exhibition

This is a show that has ten painters and writer who has created poems for the works on exhibition at the Crossley Gallery venue inside the expansive Dean Clough complex.

In the introduction David Traves points out the inspiration of British 20th century painters such as David Bomberg, Leon Kossof and Frank Auerbach, that some of the participating artists may have been inspired by, although that is referring to paint application, more than it is to the subject.

The original concept and title for the exhibition. “Defining the Elemental” was his original idea and it conjures up a whole range of meanings behind it. Essentially the artwork to be shown in the main is based on nature, although one or two of the artists have expanded that to include the human figure and  one or two with pure abstraction work that perhaps have broader and more expansive connection with the title of the show,  i.e. “initium aquam” (Latin: Life began in Water) by Denis Taylor and “Rebuilding ground zero” by Jeanette Barnes. Richard Fitton, another fine painter, shows some new work, one in particular that is removed away from the ‘impasto paintings’ he is known for, to a more delicate surface finish and his growing concern for the drawing content in his creative output (e.g: “Amy” mixed media- on loan from a private collector). Ian Norris exhibits his highly developed semi-abstract work with his accomplished handling of paint, art works that are  always based on dedicated charcoal sketches.

Nicki Heenan and Miranda Richmond are to exhibit their delightful and unique landscape paintings along with ‘imagined’ landscape paintings of Richard Clare and the more definite subject based work of Stephen Stringer. Shaun Smyth shall be showing        a large panoramic painting of the Mersey Gateway Bridge, one of the many works that are to be shown at the Brindley Gallery, Merseyside with the exhibition ‘Constructing the Mersey Gateway Bridge’ (18th February 2018 to 5th April 2019). Shaun will also demonstrate his dedication as a skilled draughtsman by placing several charcoal sketch pieces next to his large painting. Barry De More, another painter whose work gives more than a nodding reference to Kossof and Frank Auerbach, will show works that range from the local environment of Keighley to Bradford (Yorkshire UK) to images of industrial workers on site.

All the painters and the work have a dedicated poem (prose) created by David Traves. His writing also extends to the brief introduction of the exhibition catalogue. David concentrates on his own reaction to each of the painters and their work and gives his own personal interpretation of the essence of each artist, words that are laid out in a classical manner, or style (i.e. short lines of words), but with deeper meaning behind them, meanings that perhaps encourages the reader to think more about the Art, and the artist(s) who created them.

All the work is available for acquisition by art institutions, public art galleries and the private art collector. Interested parties can contact, Crossley Gallery at Dean Clough (https://www.deanclough.com/) the artists directly or via painters Tubes magazine at: tubes@telia.com

The exhibition runs from the 27th October 2018 through to the 12th January 2019 

Dean Clough, Crossley Galleries, Halifax HX3 5AX

Read the Catalogue Free on Line… click here

 

Denis Taylor Artist shows Cellular abstraction.
artists mount new show at Dean Clough Crossley Gallery

Artists Gallery – submit your art

painters Tubes magazine, new Artists Gallery opening

send three small jpegs as your submission to the editor – click here

“No Paine, No Gain” Alun Williams solo show. Handel Street Projects, London.

Tubes artists contributor, Laurence Cause Parsley, reviews a new exhibition of the work of Alun Williams. London – on show until 10th November.

Tucked away in a quiet street of Islington, The Handel Street Projects run by its passionate owner, Fedja Klikovac, presents until the 10th of November the first Alun Williams‘ solo show in London for thirty years. Alun Williams was born in Manchester in 1961, and lives and works in America. He is involved in the experimental projects undertaken by Parker’s Box, Brooklyn and supports the activities of Triangle in New York, Marseille and La Vigie in Nîmes, France.

Alun Williams Artist- painters Tubes-
Detail of Thomas Paine on His Estate in New Rochelle 2018 oil and acrylic on canvas

The visitor is presented with a variety of artworks, ranging from vintage-framed drawings in graphite and ink in the hall way, small scale resin sculptures covered with blue or gold paint on the mantelpiece, more sketches and drawings in the main room next to larger paintings. They all have a common point: a sinuous, irregular-surfaced abstract shape. In fact this abstract shape is the signature of Alun Williams: passionate about History and historical characters, he sets on a search to discover an accidental         ‘trace’ close by a landmark linked to the character he is interested in.  From there the artists embarks on a pictorial narrative.

“No Paine No Gain”… refers to Thomas Paine (Thetford 1737- NY 109) the British philosopher… “who was a pioneer of democracy and equality having an enormous influence on both the American and French revolutions. He was also a pioneer of innovation in spreading information-very much a precursor of recent politicians realising the potential of social media. In Paine’s case his famed political texts such as Common sense, Rights of Man, and American crisis were published as ‘cheap’ pamphlets in print runs up of up to 500 000, a circulation volume previously unheard of in the 18th century.”

painters Tubes - new exhibition in London
Golden Thomas Paine statue at ICA Philadelphia. 2018. Acrylic on canvas.

Alun Williams visited Lewes where Paine lived for a while and on the doorstep of his house found a splash of blue paint. The shape is more than a seducing form under a glass globe as seen on the mantelpiece: in a surrealist way, Williams decided that the splash will be the symbol representing Thomas Paine thus opening a very interesting dialogue between past and present and, in the case of Artist’s Impression: Golden Thomas Paine statue at the ICA Philadelphia, even future! The painting depicts a night view of the ICA in Philadelphia, the first town Paine visited when he went to America. Williams makes the viewer stand outside the building and look through the bay window inside the hall, where a somehow incongruous large stone pedestal is set with the gold sinuous shape at the top. It is a very powerful statement, painting of a memorial monument which does not exist, the symbolic historical presence of Paine in an existing building questioning the meaning of democracy and equality in today’s and tomorrow’s America and thereby in today’s and tomorrow’s world.

It is worth mentioning that the artist has used the same process with Edgar Allan Poe or Jules Verne and more obscure characters, all gathered in a book, LEST, Manuella Eds, 2011.

Alun Williams – “No Paine No Gain.”  at: Handel Street Projects, 22/09 – 10/11. Wednesday  to Friday 12pm-6pm, Saturday 10am-1pm and by appointment.

14 Florence Street, London N 1

Alun Williams- painters Tubes magazine
Thomas Pain Political Philosophy #1 2018 ink and coloured pencil on watercolour paper
Thomas PaineCommon Sense 2018 acrylic on canvas
Thomas Paine Common Sense, 2018. acrylic on canvas
Handel Strett Project. Alun Williams. painters Tubes magazine
Model of Thomas Paine Statue for NewYork 2018 resin metal paint glass wood

Time Travel is never easy…

…way back in 1986, I decided to become a full time artist (painter). At least painting full time when it was possible. My self imposed rule #1 – was “to live for Art, and not live off Art.

Denis Taylor Greek Studio work
Aegina island in the Saronic Gulf. Greece

…way back in 1986, I decided to become a full time artist (painter). At least painting full time when it was possible. My self imposed rule #1 – was “to live for Art, and not live off Art.” – which sort of boxed me in, as I still needed to earn a living. This I did by working in a variety of jobs, writing articles and catalogues and selling the occasional canvas to interested parties, or taking on commissions, but only when someone asked me.

Somehow, years later, I found myself ensconced on island called Aegina. The island is close to Piraeus (19 kilometers) and thus Athens, where I could buy (piecemeal) oil paint, when I had the money, for Art supplies that is. It was here that I confronted the age old enemy of creatives – Ego – And it was here that I defeated it, albeit with the help of an invisible helping hand, which many people call their God. Unlike my home in Northern Europe, the Greek belief system was strong, and it would be unnatural for any creative not to absorb the atmosphere that surrounds them. The outcome was work which, up to then, I had never envisaged painting. This was linked to an incident, one that is too long to explain here, but let me just say, a miracle occurred that saved my life.

Oil painting by Denis Taylor 1993
“Stoned” painting created on Aegina island.

Time passed and my collection of paintings grew. Eventually I met my future wife, on another island, where I had accepted a commission to paint ‘Walls’ for a Greek friend who was setting up a ‘Rock and Roll cafe on Anti-Paros, a very small island in the Cyclandic’s. This chance meeting led to a Gallery exhibition in Stockholm (1995) and another one in the same year, before I knew where I was I had several shows, created a ‘radical’ group of mixed media Artists and curated, designed and participated in three major exhibitions, one of which was a commissioned [non paying] job for the Swedish Government Estonia Trust Fund and the International  Support Group, that one took over four years to complete [sic: Heart 2 Art- Stockholm January 2002]. And all the time, keeping to my #1 artists rule, I was earning a living doing other things [in the UK] remotely or directly.

Almost twenty years later, and now an artist in the Grey hair sector, I and my wife could scrape together enough time and money to spend a month on Aegina [July 2018]. And, as luck would have it, we were able to take my ‘Greek-Niece’ up on her kind offer to stay at her family home – which just happens to be above my old studio from all those decades ago. Hence the ‘time travel’ headline of this post.

Denis Taylor English Artist, Writer and Exhibition Curator
Studio 4 – Aegina island Greece

The studio had not been lived in or attended to for some years (my niece no longer lives there) And nature had began to take the place over. I resolved to spend the cooler mornings and late evenings bringing the place into ship shape. Mainly because I couldn’t bare to see it in that condition, and I wanted to ‘feel’ what I felt when I was a much younger artist, how I’d grown and developed in comparison, which was insightful. I recalled every single canvas I had painted there, in that place, the struggles, the ecstasy of a breakthrough and the disappointment of failure. I remembered the people, those characters who became more than close friends, now most of them, passed to the other side. At the back of the house I found my white plastic chair, and another for visitors, who would sit with me to discuss the painting I would have been currently working on.

I was time travelling, inside my mind, as I doggedly swept and moped, and swept and moped again and fought the weeds that had embedded themselves in ever crack and cranny. My human form bled salty water from every pore in its body, to cool itself down, but my mind was far to busy ‘travelling back in time’ to take any heed or warning to rest up and drink water.

At the end of all this, my voyage ended with a realisation of what I had actually achieved in Art per se, despite my rule #1, or because of it – And a truly personal sadness, that I could not share with them, that their high expectations, ones they were convinced that I could achieve in Art, had been.

So, ‘Time Travel’ is not easy – for many reasons – but I am sure it’s a trip everyone takes at some point in their life, the good, the bad, the tears the happiness. That’s what it’s all about, isn’t it?

Denis taylor Artist and Writer - Aegina island.
One evening the sky talked of the past

posted and written by Denis Taylor. Artist and Writer.

 

 

 

 

 

 

 

Printed Version of TUBES read in Manchester for Free.

As of August 8th – painters Tubes printed version of the magazine will be available to read at the Manchester Central Library, Manchester City Center, Manchester UK. Enquires for supply of Tubes magazine for public venues welcomed: email: tubes@telia.com

please put – “tubes printed magazine – public availability” in the subject line.

painters Tubes now at Manchester Central Library
printed version of painters Tubes available to read at Manchester Central Lbrary

New Special Edition of Tubes magazine

“artists of the revolution”

full feature of how artists reflected the industrial revolution art from 1900 to today.

Publishing release date 30th July – not to be missed. Free to read on line. Printed edition available by reserving you ‘summer special printed edition – Only £8 + post and packing per magazine.

Subscribe to painters Tubes magazine – 3 months or 6 months or 12 months at £7.00 plus post and packing per issue through 2018

painters Tubes magazine, summer special edition
new summer special edition of Tubes

“artists of the revolution”

from 1900 to today how the industrial revolution produced the art of North West England and beyond.

painters Tubes magazine.
summer special edition

SUMMER SPECIAL EDITION – PUBLISHING 30th JULY 2018 free to read on line-

Printed edition available email- “reserve my exclusive copy” to tubes@telia.com