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Category: #Landscape Painting

painters TUBES magazine

Pauline Rignall.. Myths

painters Tubes Editor interviews Pauline Rignall at her studio for issue#8

Pauline is a painter who is exploring ‘human sensuality’ through the inspiration of myths and legends in her recent work.  She translates these often suppressed, or  hidden sexual feelings, into vibrant dynamic contemporary art. She is also a gifted landscape artist. Tubes editor, Denis Taylor, visited her recently in her home studio to discover more about her and her art. – You can read the full interview in issue #8 – back issue available soon

extract from essay.

“Myths are dramatised psychology, an expression of the inner life through the creative imagination. They are both universal and personal, being symbolic of the  patterns and energies operating in the cosmos in society and the individual.”    Pauline Rignall

….There was nothing mythical about my recent meeting with pauline Rignall in her cottage studio nestled among the very lovely and quintessential English Derbyshire hills. As I stepped off the train Pauline was waiting to greet me at the gate of the small country railway station. And in less than a few minutes we were sat at her dining table enjoying coffee and a piece of home made cake, talking Art and painting in general. Pauline is a gentle sensuous soul one that is reflected in many of her paintings, albeit not that obvious to the casual observer of her figurative paintings. However, her landscape painting  do reflect a serenity and an appreciation of the beauty of nature that surrounds her.

Pauline’s has a deceptive strength of character that is partially masked by a playfulness and genuine love of Art and literature. I first became aware of her as an artist when she contacted Tubes with a submission to be included in the ‘landscape’ feature of 2017  (issue # 5)…. read more soon..

Landscape – yesterday today

excellent article on Landscape Painting – Contemporary Artists who are painting landscapes today.

extract from article on landscape published in TUBES #5….

When it comes to visual art today, landscape is, and by a huge margin, the most popular subject with the general public, that is according to the many independent data analysis reports available on the web. Landscape paintings, it seems, are the most sought after by all social levels of people in modern society. They are the most exhibited in galleries world wide and the subject of them, nature, is one which almost every contemporary painter has, at some time or another, turned their attention to, but it wasn’t always that way.

Landscape on its own, as a autonomous work of Art, was once was frowned upon and was not taken seriously by those who controlled the output of Artists. It was viewed as a non-educated (non-intellectual) form of art. During the fifteenth century and some to extent the sixteenth century, the ‘mode’ of painting that was to be given a high status especially by the powerful art Academics, was historical referenced painting. Ancient Greek myths, Biblical stories or Viking legends etc. It was these subjects were seen as the only serious form of art that an artist should select as subject matter. Landscapes were only necessary to create the ‘stage’ or as ‘support’ for the human figures within them, figures that acted out their part and help to illustrate the story of the chosen subject. These background landscapes were painted in a specific way or with predetermined exacting tonal values that laid themselves back on the painting, always subservient to the human figure.

The reasoning behind this ‘rule’ was deliberate and ensured that only the ‘highly educated’ could pick out the subtle placement of symbolic object references, or have an in-depth knowledge of the story told within the work. Subtle references that could be discussed at length by a higher social class of citizen to demonstrate their intellectual prowess and greater learning. Thus meaning the artists who created these works needed a high level of educated instruction themselves. This ensured (usually) that artists came from mostly affluent families, or those artists who were seen as gifted and then were educated by the establishment, perhaps from an early age. (note: much the same attitude applied to ‘neo-conceptualism’ towards the early or latter part of the Twentieth Century)….continued back copy available soon..

in response to readers requests…

… a number of readers have asked Tubes if they can view examples of our Editors Art.
After some ‘bullying’ we convinced him to ‘complete’ his own website, which he did only the other day.  So, for them that asked and for them that are curious about the Editors own paintings, here is the link: https://denistaylorartist.wixsite.com/painter 

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