Helping artists in more ways than one

read all about the new Mersey Gateway Bridge painting project 2018.

In issue #8 of painters Tubes, we featured an artist who had submitted a number of works for consideration to be featured in the magazine. Most of the work were landscape paintings, and although they were excellent, they was not what TUBES were looking for, at the time. Landscape painting had been extensively covered in tubes issue #5. (click to read free on line)

The artist explained that the landscape work created were essential to help fund ongoing research with preparatory painting for a series of very large paintings, ones that took figurative painting into another direction and subject line that normal figure work, but it would be some time before they were fully resolved.

This special series of  paintings, (the artist explained), was connected with a specific investigation into human relationships through the eyes of another age. And how the myths related to our own time. Tubes Editor was quite taken by the paint application and the subject and arranged a personal visit to the artists studio. It was here that he viewed the full range of work and as a consequence featured the artist in issue #8.

btw: issue#8 alone has had an audience of over 9,000  (click here to read free on line )

Some time later, the artist, was  financing the large series of  work by trying hard to sell selling landscape painting, but one day was surprised by a visitor to the studio. The visitor explained that they were so impressed by the work (seen in painters Tubes magazine) that they wanted to provide funds for the artist, to assist in the creation and finishing off the series. The artist contacted Tubes and told the Editor of the news which “..was in most part, due to the article in painters Tubes magazine…”

For all of us at Tubes, that one story, makes the case for painters Tubes magazine as the most influential Art Magazine real and fills us with delight…. So to the artist in question, congratulations and hoping you paint many more great works of art…all the best from all of us at painters Tubes magazine.

contact the Editor at: tubes@telia.com if you have an interesting series of paintings you would like to discuss or a studio visit (live, or on line or via Skype or apple Face-Time)

©painters-tubes-magazine 2018

“defining the elemental” exhibition on show until 12th January 2019

Photograph below: Contemporary Artist, Denis Taylor in front of the installation at Crossley Gallery, Dean Clough, Halifax, UK 

Denis Taylor Artist and Writer. painters Tubes magazine
Denis Taylor with his work at Crossley Gallery, Dean Clough. Left: ‘Acid Trip’ (1985) Middle: ‘Life Began in Water’ (2018) Right: Cellular Abstraction (2014)

The exhibition “defining the elemental is an exhibition of painting in the UK. The ten artists participating are showing authentic work that covers contemporary landscape, portraits and new abstract painting. The extensive venue is the Crossley Gallery which is within the extremely large Dean Clough business  and culture complex in Halifax, West Yorkshire  ( for directions and information- please click here) The exhibition is currently on and is running through to 12th January 2019.

Many of the artists as renown throughout the North of England and beyond for their progressive, dynamic, semi-realist and abstract new work, such as, Denis Taylor, Ian Norris (see TUBES issue #1) and Jeanette Barnes along with major project painters such as Shaun Smyth (Mersey Gateway Bridge project-   see TUBES issue #8)   and original impasto styled (inspired by Kossoff/Auerbach) portraiture work  created by Richard Fitton (see TUBES issue #7)

The full Catalogue with examples of all the ten artists work, comments on their work and poetry that accompanies the paintings (written for the exhibition by David Traves) features in the exhibition  is available here: Defining the Elemental catalogue

You can also read a review of the exhibition in issue #10 of painters Tubes magazine  Please click here to go to the magazine

painters Tubes

“Defining the Elemental”

Defining the Elemental”

Dean Clough. Halifax West Yorkshire

27th October through to 12th December 2019

Preview of the exhibition

CLICK HERE FOR FULL EXHIBITION CATALOGUE

This is a show that has ten painters and writer who has created poems for the works on exhibition at the Crossley Gallery venue inside the expansive Dean Clough complex.

In the introduction David Traves points out the inspiration of British 20th century painters such as David Bomberg, Leon Kossof and Frank Auerbach, that some of the participating artists may have been inspired by, although that is referring to paint application, more than it is to the subject.

The original concept and title for the exhibition. “Defining the Elemental” was his original idea and it conjures up a whole range of meanings behind it. Essentially the artwork to be shown in the main is based on nature, although one or two of the artists have expanded that to include the human figure and  one or two with pure abstraction work that perhaps have broader and more expansive connection with the title of the show,  i.e. “initium aquam” (Latin: Life began in Water) by Denis Taylor and “Rebuilding ground zero” by Jeanette Barnes. Richard Fitton, another fine painter, shows some new work, one in particular that is removed away from the ‘impasto paintings’ he is known for, to a more delicate surface finish and his growing concern for the drawing content in his creative output (e.g: “Amy” mixed media- on loan from a private collector). Ian Norris exhibits his highly developed semi-abstract work with his accomplished handling of paint, art works that are  always based on dedicated charcoal sketches.

Nicki Heenan and Miranda Richmond are to exhibit their delightful and unique landscape paintings along with ‘imagined’ landscape paintings of Richard Clare and the more definite subject based work of Stephen Stringer. Shaun Smyth shall be showing        a large panoramic painting of the Mersey Gateway Bridge, one of the many works that are to be shown at the Brindley Gallery, Merseyside with the exhibition ‘Constructing the Mersey Gateway Bridge’ (18th February 2018 to 5th April 2019). Shaun will also demonstrate his dedication as a skilled draughtsman by placing several charcoal sketch pieces next to his large painting. Barry De More, another painter whose work gives more than a nodding reference to Kossof and Frank Auerbach, will show works that range from the local environment of Keighley to Bradford (Yorkshire UK) to images of industrial workers on site.

All the painters and the work have a dedicated poem (prose) created by David Traves. His writing also extends to the brief introduction of the exhibition catalogue. David concentrates on his own reaction to each of the painters and their work and gives his own personal interpretation of the essence of each artist, words that are laid out in a classical manner, or style (i.e. short lines of words), but with deeper meaning behind them, meanings that perhaps encourages the reader to think more about the Art, and the artist(s) who created them.

All the work is available for acquisition by art institutions, public art galleries and the private art collector. Interested parties can contact, Crossley Gallery at Dean Clough (https://www.deanclough.com/) the artists directly or via painters Tubes magazine at: tubes@telia.com

The exhibition runs from the 27th October 2018 through to the 12th January 2019 

Dean Clough, Crossley Galleries, Halifax HX3 5AX

Read the Catalogue Free on Line… click here

 

Denis Taylor Artist shows Cellular abstraction.
artists mount new show at Dean Clough Crossley Gallery